Monday, November 24, 2014

DEER HUNTING SEASON IN OUR COUNTY


                 SOME SUGGESTIONS


Deer hunting season has opened in Cattaraugus (yes. that's right) County and orange is the color of choice for outerwear.  Enjoy Where Worlds Collide, another beautifully recycled article by moi.






        
 

                        WHERE WORLDS COLLIDE: THE WHITE TAILED DEER

 

            This is one of the few places in this country where you can walk down the street

carrying a rifle or a shotgun and no one will pay any attention to you.  Deer are our meat.

Hunting along with garage sales make up our underground economy providing opportunities to

 make some untaxed cashmoney.  When the garage sale signs come down around the end of

October, the “welcome hunters" signs go up.

            In Cattaraugus County about 15 percent of the total housing is listed as “seasonal.”

That is, visitors from out of the area have camps back in the hollows or on hillsides off old

logging trails or pipeline routes.  Many of these seasonal residents occupy their dwellings only

during hunting season.  They buy groceries and liquor and eat out and pick up camping goods,

 hunting gear, ammunition, and sundries.  Some  come in groups and hire a book and

bottlewasher; some stay in rooms in private homes or in small motels.  Business at area

bars picks up.  Local churches run special “all you can eat” breakfasts or dinners, box lunches

extra.  There is no doubt that rural areas benefit economically from hunting.  New York State

 Department of Environmental  Conservation figures the state takes in about $690,000,000

from hunters. Divide that by the 62 NYS counties and you’ll see that’s about $11 million.

That’s quite an injection of funds that stay in rural regions desperate for an infusion of funds.

            Most rural schools gave up and made the first day of deer hunting season a holiday

because absences were so high.  The Monday deer seasons opens, teachers in area high schools

expect to mark time.  However, recent statistics gathered by the State Department of Hunting

have noted a decline in the number of licenses purchased.  The decline began back in the 80s and

continues today.  Researches attribute the decline to lack of family tradition and a decline in

leisure time.

            Cornell University researchers are worried because they see the hunting experience as

one that teaches cultural values.  I am not sure what cultural values they are talking about

because they don’t mention them.  I guess it’s a longing for the past, pure nostalgia.  Remember

when dad went out and shot that deer and we ate venison all winter.  Remember it hung

in the front yard from a tree branch.  Remember that?

            Remember getting up before dawn and going out into the cold darkness with dad.  It’s

killing your first deer;  it’s having blood from the kill rubbed on your forehead, an ancient male

coming-of-age ritual.

            Hunting was a way to get food.  It was for the ancient hunters a way to build loyalty to

the tribe, to teach survival skills to separate the men from the boys.  Sometime during the 19th

century hunting became a way to make a living.  Buffalo were killed for their tongues and maybe

their skins and the meat lay rotting on the prairie.  The Buffalo hunters were the heroes of the

frontier.  They were romanticized in our folk tales and literature.  They decimated  the herds of

buffalo that roamed the great plains.  Do you want to destroy a people?  Destroy their food

supply.  The native tribes the plains relied on the buffalo for food clothing shelter.  Without the

buffalo, the tribes of the plains had to submit or starve.

            The eastern white tailed deer (odocoileus virginianus) was the staple of life for the Easter

woodland peoples.  Excavations of Hopewell mounds have revealed shoulder blades (use as

hoes), leg bones (awls), and other parts for needles, forks, not to mention the use of hides for

moccasins and clothing.

            The Senecas hunted the white tailed deer.  They too used most parts of the animal for

food, clothing and tools.  In the east the white tailed deer was also hunted almost to extinction in

the decades following the Civil War.  Hungers ravaged the herds, skinned the animals and left

the meat to rot.  The going price was fifty cents a skin.

            In 1888 an observer reported “the deer were hunted with dogs the year round. . . .finally

becoming so scarce that whole winters would go by in many Pennsylvania counties without

anyone seeing a single deer track.”  By the turn of the century it was estimated the deer

population was no more than 350,000 for the entire country according to Mike Sajna/s “Buck

Fever.”

            In the ravaged highlands of the Allegheny Plateau the clear cut areas favored the growth

of browse and deer were reintroduced into the newly created Allegheny National Forest.

            Timbered land was purchased under the auspices of President Calvin Coolidge in 1923. 

the Forest is now about a million acres covering Warren, McKean, Elk and Forest counties in

Pennsylvania, bounded on the west by the Allegheny River and on the north by the New York

state line.

            In Cattaraugus county of the New York side between 1900 and 1935 over 78,000 acres of

farm land was abandoned.  In roughly the same time, the state and municipalities replanted about

20,000 acres with 25 million trees.  Left to themselves in an area of pasture going back to brush

the while tailed deer made an amazing comeback.  Following WORLD War Two deer herds of

forty and fifty were a common sight along the narrow two-lane asphalt roads that served the

county.

            The conservation movement succeeded almost too well.  Now in those same reforested

areas you can look up and see the tips of shrubs and the lowest tree limbs have been nibbled

leaving what foresters call a browse line, a sign of overpopulation.  Come a bad winter, and if you

want a bad winter, this is the place to find it, many deer will starve because herds have outgrown

the food supply.

            What can we do about it?  Wildlife management sometimes extend the hunting season or

add does.  Better a quick death from a bullet than a slow death by starvation, they argue. 

There are too many Bambis and the deer are eating themselves out of habitat.  This, of course,

has nothing to do with the fact that all natural predators have been eliminated from those

reforested areas.  We can’t have wolves or mountain lions eating those cute little deer.

Let’s shoot them.  It’s better for them.  Hunting is good for the forest and good for the ecxonomy

and. of course, good for the deer as well.

            I was listening to my favorite Golden Oldies radio station, WBRR, and the announcer

asked, “What’s the most dangerous animal in Pennsylvania?”  My first thought was man as the

commercial played giving listeners time to think this over.  The answer?  The white tailed deer.

Approximately 50,000 car-deer accidents are reported each year in New York State.

It’s estimated that five times that total are killed or injured and never reported.  They are tossed

into ditches, stagger off into the fields surrounding  the roads, out of sight, you know.

            Lest you think I only delineate the problem and pass on, I have offered a solution here but

no one takes me seriously, not even me.  Perhaps it’s time for a new cultural tradition.   Hunt

deer with vehicles, no snowmobiles or off-road vehicles, but ordinary cars, Toyotas, Chevy’s,

right on the road.  You don’t need a hunting license if you have a drivers license.   No orange

vests or black and red plaid buffalo jackets.  Not even a gun.  Run them down.  Is a fender more

costly than a gun?  Factor in the outfit, the ammo, the hunting license – evens out.  When you see

a buck tied across the funder or strapped to the roof of a car, do you know if it has been hit by a

bullet or by a car?  This would benefit the local economy.  Someone has to repair all those

fenders and front ends. 

It’s actually pretty easy to hunt with your car.  When you see the “deer crossing” sign,

pay attention.  The deer is a territorial animal, tends to stay in the same one or two mile area and

use the same paths over and over until they become well defined trails following the path of least

resistance.  They walk around bushes shrubs rocks or roots in an ambling, rambling pattern  

that would drive a median stripe painter to suicide.  Put an obstacle in their usual route and

they’ll try to go around it until they find the continuation of the path.  This habitual strolling is

what allows the highway departments to put up those “deer crossing” signs.  All a driver has to

do is look the signs.  There are certain stretches of road that are notorious places for deer kill. 

Seldom will you drive by without seeing a carcass, a set of guts strewn over the road.

            Not only do drivers know where deer can be found, but they can pinpoint the time of day

and the season as well.  Most deer are killed in late spring when they come down to the roadside

to browse on the new grass which is tasty with salt washed off the winter roads.  In the fall they

are so spooked by gunshots they heedlessly run into traffic to get away.  Also fall is the mating

season and deer are on the move.

            The average driver has a one in five chance of hitting a deer and the odds go up

especially if one drives at dawn or dusk when the deer seem to merge with twilight and

materialize out the fog.  Since this timing aligns with peak commuting time that hit is just

waiting to happen when your number comes up.

            Scan the roadsides, especially at night when you’ll see the reflection of their eyes as a

bright red glare.  If you miss the first one don’t worry; there’s usually a second following and

you’ll get that one.

            Perhaps the starving deer will commit suicide by throwing themselves in front of cars.  In

that way drivers will assume the role of absent predators such as wolves and wild cats

winnowing out the weak and depressed.

            Car killed deer are sent to state institutions for use.  So orphanages, old age homes

prisons end up with the meat.  You won’t have to eat it.  Most hunters wil tell you that they eat

their kill.  However, if a hunter tenders a recipe for venison you’ll be amazed at the elaborate

preparations, long cooking times and heavy spices they add to get rid of the gamey taste they

claim to love so much.  There is also some dental danger involved with eating shot venison. 

There may br unexpected bits of bone or bullets.

            A Wall Street Journal writer figured out the cost of venison by adding up the amount

hunters spent and dividing it by the average dressed out deer.  This area of mathematical

endeavor not one of my strong points so I rely on this estimate.  He figures the cost of gun-killed

venison at $31.07 per pound, not counting what the butchers charged to prepare it.  The average

car-struck deer costs the insurance company about $1,100 which figures out to $18.33 per pound. 

So this would save you money. 

            Two of American’s most culturally valued activities - hunting and driving - will be

combines in a new and exciting way.  That will certainly rejuvenate a dying tradition.  Perhaps

the Cornell gurus should consider widening the narrow range of cultural values they are trying to

save.  In Pennsylvania who keeps better statistics on hunters – 91 % were males; 97% were

white.

            If we add car hunting maybe more women and ethnic minorities will join the hunt.  A

deer crushed fender will be a status symbol, those dowdy hunting outfits will get some style. 

Teenagers might try hunting on motorcycles, evening the odds a bit.

            All irony aside the moment hunting became a way to make a living or a sport the cultural

value disappeared.  It’s like saying that because the number of golfers is declining, we’re losing

traditional cultural value.

            If I had to eat, I would kill a deer.  It they were nibbling my cashcrop, I would kill a deer. 

Would I go out in the cold November woods filled with armed white males between the ages of

21 and 44 to shoot at one?  Not a chance, sport.

 

              

Friday, November 14, 2014

SOME THOUGHTS ON THE MFA



I'm recycling a series of essays on pobiz (the poetry business) I published some years back in my column Under the Slush Pile in Mad Hatters Review edited by the late Carol Novak.  Enjoy.




From Under the Slush Pile

by Helen Ruggieri

 
THE MFA – SHOULD I OR NOT


Every time you open a magazine these days it’s full of places you’ve never heard of gearing up for a new low residency writing program. There’s the tennis people and the skiing people in Vermont and the Stephen Foster bunch on the Sewanee. For ten to fifteen thousand or so a semester you can buy yourself a degree in poetry writing or fiction writing without (almost) leaving the comfort of your own computer. There must be money in it and there must be thousands of interested students or the colleges wouldn’t be adding this program to their catalogs.
Now the question is this – should you enroll in a program or not. What exactly is an MFA and does it have a social purpose? Don’t expect any helpful advice on that question. We can only list the results of a survey we conducted (our painstaking research a result of our MFA training) to determine the best and the worst aspects of getting a Master of Fine Arts degree.




TEN BEST THINGS

1. If the book doesn’t work out, you are prepared for a career in juggling.
2. Your family begins to think you might have talent.
3. You get fountain pens for gifts.
4. You can describe that odor better than anyone else in the room.
5. No one expects you to know who got voted off “Survivor.”
6. You get to sleep with visiting poets.
7. You have someone to ask for a reference.
8. The student loan folks know you by your first name.
9. You meet people who know who the Wrights are (not Orville and Wilbur)
10. Inevitably, someone starts a magazine and asks you for work.



TEN WORST THINGS
 
1. You have to explain (over and over) what exactly an MFA is.
2. You have to be civil to PhDs
3. Everyone expects you to win at Scrabble.
4. People are afraid to write you because you’ll correct their grammar, etc.
5. The student loan folks know you by your first name.
6. You can’t make payments working as an adjunct instructor.
7. A blank sheet of paper is your only friend.
8. Inevitably, one of your classmates publishes a book.
9. Inevitably, it gets good review.
10. Inevitably, you get rejected again.




Friday, October 31, 2014

DODGE FESTIVAL


THE DODGE FESTIVAL – WORLD’S LARGEST

 

                       POETRY EVENT

 

 

Just returned from the Dodge Festival (Oct. 23, 24, 25, 26) in Newark and am slowly digging my way back into my life – incredibly dull after all the excitement of downtown Newark.

You may have seen some videos of the previous festivals which were widely published

on PBS and Bill Moyers Power of the Word filmed in Waterloo, NJ, before the festival  moved).  

 

It’s held every two years so you have to get ready now for the next one because you won’t want to miss it.  Every poet you’ve heard of (and many you haven’t) are there to read from their work

and converse with the audience (which includes about 5000 high school students from all over the country on Fridays).  It’s great to see high schoolers with such enthusiasm for poetry lining up to ask questions of poets like Sharon Olds, Marie Howe, Gary Snyder, Eaven Boland, Brian Turner,  Kevin Young.  Wow. There is hope for the world, eh?

 

You have to have a schedule to plan your day – panels of poets and a few musicians performed, discussed issues – Making A Life in Poetry, Ell All the Truth, But Tell It Slat, Poetry and Storytelling, A Certain Kind of Attention, Going Public with Private Feelings, The Oral Tradition, Poetry and Song, Saying the Unsayable, Poetics of War, Masks and masculinity, A Sense of Place, The Emergence of Women’s Voices, Poetry and Disability, Poetry and Survival, The Inspiration of Influence, and more.  Just about covered the full range of poetries in our time. 

 

There was a performance by the New Jersey Symphony Orchestra with violin soloist Gil Shaham playing Mendelssohn on his Stradavarius.   I’m a fan of Stradavarius – those seemingly ageless

instruments cradled lovingly in the arms of violinists.  

 

The highlights for me after Shaham’s performance was the opportunity to see Gary Snyder, still

actively supporting poetry and the environment, the poetry samplers which gave you the opportunity to hear a dozen poets give a quick read, and the Poetics of War panel which featured Kevin Basl, Chantelle Bateman, Jeremy Stainthorp Berggren, Hugh Martin and Carlos Sirah. 

I guess it reminded me of the war of my youth – Vietnam.

 

 After the war I went to Penn State for my MFA and Bruce Weigl and John Balaban were both on the faculty.  Weigl was a combatant and Balaban was a C.O. who went to Vietnam as a teacher to check out what was really going on.  That influence still resonates with me.   

 

This group of Warrior Poets hosted a booth with literature about their on-going workshop during the conference and welcomed vets.  I was glad to meet face to face with Hugh Martin who I invited to read in Olean on November 11.  I had read his volume of poetry from BOA – The Stick Soldiers – and was impressed.  In the vast number of poetry books coming out these years – this one stood out.

 

It’s great to know that there are still people out there in the world who are interested in poetry.  Sometimes in my daily life I think I am a fool for devoting so much of my time to poetry – reading it, writing it, teaching it,  thinking about it.  So I was glad to see large audiences interested and attentive.  It was also great to run into old friends – Jessica deKoninck and Diane Lockward who were on the volunteer staff and Ryki Zuckerman from Buffalo who came to listen. 

 

Judy Kerman and Leslie Gerber and I went to the open readings (two, we couldn’t get enough)

and joked about adding to our resume that we had read at the Dodge Festival.


 

The two year wait for the next one is way too long.   

 

 

Monday, September 29, 2014

100,000 POETS FOR CHANGE


100,000 POETS FOR CHANGE

 

 

In 2011 poets Michael Rothenberg and Terri Carrion came up with an

idea of having poets around the world meet to read about their visions of change.  The

movement spread  (went viral) and as many as 700 events in 95 countries have

participated in the late September event.   It has been described as the largest poetry event

in history.

In Buffalo poets gathered on the river front in Silo City  surrounded by abandoned

grain silos from Buffalo’s past   In a stage set against the background of those silos poets

read and shared their views of change with the audience.

               Poets were grouped in time slots.  My group consisted of  Pat Hulsman, Rich Olson,

Jim Taylor, Fred Whitehead, Jim Maurino, David Landry, and Robert Taylor.  We decided

rather than having poets come up one at a time and doing their thing that we would

coordinate our readings.  We spent some time online getting it together.  One person would

post a poem and another would post a poem that pinged off the previous one and on it

went. 

               Pat Hulsman who is working on a collection of poems called “Ghost Dancers”  

offered theme – poems that dealt with or reflected ideas expressed in the note below:

               “Ghost Dancers” are taken from the spiritual/cultural phenomena experienced and

driven by the indigenous plains people of the American west in the 1880s.

They would dance themselves into trance to make contact with the spirits of the

dead.  These contacts would be the catalyst of change to bring peace to the group.

Rich Olson suggested that we might serve as sort of a Greek chorus in an American

play. 

               We read our poems accompanied by guitar music provided by Dan Kolb (the

Umbrella Man).  David Landry complied the poems into a booklet titled Ghost Dance which was
designed by Julia Kolb.
 
 
 
 
 
 
 

Wednesday, August 20, 2014


PHOTOS TO GO WITH MAYAPPLE BLOG

 
The Villetta Inn in Woodstock
on Upper Byrdcliffe Road
  This is the porch at the Inn where our workshop group met - a beautiful place
to read beautiful words.

 
This is my workshop group - from left to right - Jessica, Leslie and I


MAYAPPLE WRITERS' RETREAT

A MANUSCRIPT WORKSHOP

IN THE CATSKILLS



 

                        MAYAPPLE WRITERS’ RETREAT IN WOODSTOCK, NY

 

 

This was my 9th year attending the Mayapple retreat.  For the last three years I’ve been
working with a group on critiquing manuscripts.  I’ve drifted past the days of workshopping one poem at a time so this retreat is perfect for me. 

 

The workshoppers meet at the Villetta Inn at the Byrdcliffe Conference Center – an old lodge
on a mountain above Woodstock.  There are no superstars here and no one is treated like   a student.   Those attending are peers, selected because of their experience and publishing background.  They come from all over:  Vincent Cooper from St. Thomas,  VI; Patty McMillen, Oak Park, IL; Rachel Coonce, Washington DC; Jessica deKoninck, Montclair, NJ, Zara Raab, Berkley, CA; Wendy Taylor Carlisle, Eureka Springs, AR: Nola Garrett, Pittsburgh, PA; Diane Lockward, West Caldwell, NJ; Shannon Frystak, Bethlehem, PA.  And a smattering of upstate New Yorkers: Leslie Gerber, Woodstock; Joyce Kessel, Hamburg; Robert McDonough and Maril Nowak, both of Branchport; Gary Leising, Utica; Roberta Gould, West Hurley; Judith Lechner, Saugeties.

 

My manuscript group this year included  Jessica de Konbinck and Leslie Gerber.  We sent each other our manuscripts the week before arrival and had time to go over them and make comments. We spent a day or more going over each manuscript, mostly discussing arrangement, sectioning, titling, as well as going over each poem and deciding if it fit where it was or should be moved. We made suggestions about weak poems and tried to arrange it so that the strongest poems led off a section.

 These sessions have been effective for me because I live in a small town and don’t have a workshopping group.  The first manuscript I worked on was published almost on the first send.  Wow.  I thought this was going to be the way of all things.  Not.  The second years’ manuscript is still floating around from contest to contest.  This years’ manuscript is typo free, neatened up
and ready to go.  We’ll see.

 There are readings every night and four  poets share their work with audiences from the area and fellow workshoppers.  Communal meals prepared in the big open kitchen are a prelude to the readings.    

Afternoons are for hiking on the many trails in the area, serious shopping in downtown Woodstock (all the boutique shops you can imagine) or lunching in one of the many restaurants.

 Judith Kerman began the retreat when she couldn’t find a workshop where she wasn’t treated
like a student.  She established a “comfortable, egalitarian atmosphere” for writers. 
A profitable (well, intellectually profitable) way to spend a week among like minds.

 

 

 

 

 

Thursday, June 26, 2014

DO YOU LIKE TO READ MYSTERIES?
HAVE YOU EVER THOUGHT OF WRITING ONE?
SOME ADVICE FROM AN ADDICT.


 

                        WHAT NOT TO DO IN YOUR MYSTERY NOVEL

 

 

 

 


Mystery writers are an interesting breed and have special skills which they develop at the expense of the reader.  I think it’s because they have to plot and to fill  up the 300 or so pages needed for a novel, they need more plot than they can arrive it.  So, they go to extraordinary lengths to manufacture a private life and to insert chapters of domestic bliss, domestic violence, the lack of domesticity, etc. etc. purely as filler. However, there are limits to a reader’s acceptance.  Over the years I’ve had to wean myself from finishing every book I begin.  I now allow myself to stop reading if certain characteristics appear. Conversely if you are writing a mystery novel, please take the reader’s wishes into consideration.   I have tried to make a comprehensive list of the telltale signs of bad writing, bad characterization, bad plotting, in order of their irritation value: 


 

YOU DON”T HAVE TO FINISH THE BOOK


>When the author introduces 17 characters in the first chapter.


 

>The characters are described by their brand names i.e. wearing a Prada handbag over her                                         arm, she twirled her Bulgari bracelet watch on her thin elegant wrist.  Her nose job


by one of the city’s most skilled plastic surgeons, centered a face with a Bermuda tan.

 

>No corpse is found by page 30.

>There are four or more  references to events from previous books in the first two chapters. For example, “because there was a bullet lodged close to my heart fired by  my devious partner who shot me in my first novel, BLOOD ON MY GUCCI’S,  I could not pass the airport screening and had to voluntarily stay in the country except the time I stowed away on a Carnivale Line ship while following a felon in BLOOD ON MY BIKINI ATOLL.

 

>More than half of the opening chapters are spent driving hither and you across vast boring stretches of the:

            upper peninsula

            Arapahoe reservation

            Connecticut

            Martha’s Vineyard

Tony Hillerman’s novels are an exception to this rule.  Chee and Leaphorn can drive anywhere they want to and so can Joanna Brady.

>The detective/hero/heroine (solver, main character, etc.):

            raises dogs

            raises cats

            raises herbs

            writes for a fashion magazine

            cooks  (recipes are great page fillers as well as belly fillers)

            runs a bookstore

 

>Has just

            lost her husband/lost his wife

                        by divorce

                        by death

                        by girlfriend/boyfriend

                        by golly          

           

>Doesn’t get along with her/his

            sister

            mother

            father

            brother

            boss

 

>Has an appropriate relative/long time friend/exhusband/exwife who is

            a cop

                        local, municipal, county, state

            a private detective

            FBI agent


            CIA agent

Or who works for the

            insurance company

            telephone company

            DMV

            fingerprint university

           

>Or knows how to operate a computer.and is called upon with the promise of dinner, drinks, etc. to provide appropriate information the detective is unable to get because

he/she doesn’t know how to use one.  The debt is never paid.

 

>Has some character flaw which makes her/him the perfect detective:

            inability to get along with others

            is an introvert/loner

            congenitally nosy

            congenital liar

            tricks old ladies

            paws through the effects of strangers

            breaks in to homes illegally (burgles)

            One clue which will help you decide who is guilty – if the heroine sleeps with him, he’s ok.  He wouldn’t do it.  In cozies anyway.  The detective doesn’t sleep with killers.   If the hero sleeps with her you can’t be sure.  That may be a sign – of sexism anyway.

And finally, the heroine/hero is so dense she/he doesn’t/can’t put together two huge clues you already picked up on back in the second and third chapters.   When she/he finally does get it together,  you’ll want to strangle her/him thus becoming the murderer in the next adventure - BLOOD ON THE BOOK CASE. 

I do like my detectors to be sharp and smart and tell me something I didn’t already know.   And not necessarily about  dogs, cats, herbs, recipes, old etchings, antiques or should I say collectibles, etc.

            And now that Mizz Plum (Evanovich) has gone to work for Ranger what can we expect to happen to his fleet of SUVs.